Offers from Afro_thecreator
Posted to Ejigbo's Youth Culture Audience
13,900 followers, most of them young Nigerians who come to my page for what is current rather than for product recommendations. That is worth understanding before you book. A post from me works when your product already sits inside youth culture — streetwear, sneakers, audio, drinks, events. It works poorly when the product needs explaining, because this audience is scrolling rather than studying. So I photograph it properly, write a caption in my own voice, and leave it permanently on the grid. Send it with whatever makes it interesting to somebody aged twenty-two. If the honest answer is nothing, one of my video formats will serve you better than a still image.
Culture First, Product Second
The videos that travel on my page are about something happening, not about something being sold. Your product rides along inside one. I make content around young Nigerian culture out of Ejigbo — what people are wearing, listening to, arguing about. A Reel built that way gets shared for its own sake, and your brand travels with it rather than being the reason anybody pressed play. 13,900 people follow me. Tell me what your product is and let me find the cultural hook myself. Briefs that arrive with the hook already chosen usually pick one that works in a boardroom rather than one that works here.
The Everyday Version, Not the Campaign Version
Some brands want a polished asset. This is the opposite of that. I film your product the way it turns up in an actual day around Ejigbo — no lighting, no second take, whatever the background happens to be. For a young Nigerian audience that unpolished quality is the credibility, because the campaign-shaped version is what everybody has learned to skip. 13,900 people follow me. If your brand guidelines require controlled framing and consistent colour, book something else. This format trades all of that for looking like it was not paid for.
Footage That Does Not Look Bought
The moment a video looks paid for, a young Nigerian audience stops watching. That is the constraint everything here works within. So I shoot your product the way I shoot everything else on my page — handheld, unlit, one take, in whatever is happening around Ejigbo that day. It does not look like advertising because it is not made like advertising. 13,900 people follow me. Streetwear, sneakers, audio, drinks and event promotion all fit. If your brand needs colour-matched framing and a logo held at a fixed angle, this is the wrong booking and I would rather say so now.
Put Through Its Paces for Ejigbo
Worth correcting the old title: I am not a dance creator. My page is young Nigerian culture out of Ejigbo — what people are wearing, buying and arguing about. So a tutorial from me means showing your product working, in the register my followers actually watch. What it does, how to use it, and the part everyone gets wrong, delivered without turning into an instructional video nobody finishes. 13,900 people follow me, which is the largest audience I can put a demonstration in front of. Send instructions if the method matters. I would rather follow yours than invent one and have your comments correct me publicly.
My Largest Audience Sees Your Product Opened
13,900 people follow me, which makes this the biggest room I can put a product in front of. I open it on camera and give it a first read: what it is, what turned up, whether it holds together. My content is about young Nigerian culture out of Ejigbo and I stay close to what is current, so the framing will feel of the moment instead of corporate. Streetwear, sneakers, audio, phone accessories, drinks and events all work here. Because the room is bigger than most, I would put a launch in it rather than a trial. Send retail packaging and tell me exactly where you want people to go afterwards.
Inside a Video People Watch Anyway
The videos that carry on my page are about something happening around Ejigbo rather than about a product. Yours goes inside one of those. No pause to introduce it, no line explaining why it is there. It is in the frame while the video does whatever it was going to do, and the reason that works is that nobody skips it — there is no signal telling them to. 13,900 people follow me for young Nigerian culture, which makes this the largest audience I can put a quiet placement in front of. Streetwear, sneakers, audio, drinks and phone accessories all belong. Tell me if your branding is small and I will frame accordingly.
Frames That Move With the Feed
Stories on my page work because they are unedited. People check them between the polished posts, which is a different kind of attention and a more forgiving one. So I put your product across a few frames in whatever is happening around Ejigbo that day — worn, held, in the background of something else — tagged so anybody interested moves through immediately. 13,900 people follow me for young Nigerian culture. Streetwear, sneakers, audio, drinks and events all fit, and the frames run for twenty-four hours before disappearing. That expiry is worth using deliberately. Book this when there is a reason to act now rather than eventually, because a Story asking people to remember something later is a Story most of them will not act on at all.
Frames Timed to a Drop
Built for a release rather than for awareness. I post the frames on the hour you specify, so the attention lands while the stock is live rather than the morning after. Your product appears across a few Story frames with the code, the link and the time attached, aimed at 13,900 followers who mostly find out about drops from pages like mine rather than from brand accounts. Streetwear, sneakers, audio, drinks and event tickets all fit. Give me the exact hour and the stock position — if it sells out in twenty minutes I would rather say that in a follow-up frame than leave people clicking a dead link.
A Day Across a 13.9k Feed
The largest audience I can hand over for a full day, and the format that makes the most of it. Your product runs through my Stories from morning to night — in whatever is happening around Ejigbo, referred back to more than once, tagged throughout. At this follower count the repetition matters more than it would on a small page, because the number of people seeing three or four frames rather than one is substantial. My page is young Nigerian culture. Streetwear, sneakers, audio, drinks and events all fit. Give me the frame count and the links the day before. Stories go out live and there is no fixing a wrong link once several thousand people have already tapped it.
Say Your Name Live to 13.9k Followers
Live is the one format I cannot take back. Once I have said something to 13,900 people watching in real time, it is said. Which is why I want your wording in advance if it touches price, availability or anything you could be held to. Give me that and I will work your brand into a live properly: name it, explain it, answer whatever the chat throws at me, and send people where you want them. Drops, launches, events, a code with an expiry — anything with urgency behind it does well here, because the room is already gathered and paying attention.
Come On Live With Me, Not Just Be Mentioned
Co-hosting puts you in the frame beside me rather than being something I talk about after you have left the room. We go live together on Instagram to my 13,900 followers. You answer questions directly, I keep the conversation moving and handle the audience, and people get to size up whoever is behind your brand. For a founder or a product lead that is worth more than any amount of description from me. It works best when there is something real to discuss: a launch, a service that needs explaining, a subject my audience already asks about. Agree the running order with me beforehand and give me a few questions you want asked, so there are no dead stretches. I make content around young Nigerian culture out of Ejigbo, so bring something that fits that room.
A Giveaway to 13.9k in Ejigbo
The old title said style community. My page is young Nigerian culture generally, which for a giveaway is an advantage — the audience is broad enough that a prize does not have to be fashion to land. I run the whole thing on my Instagram: announcement, rules, reminders while it is open, moderation, and a public draw with the entries visible. At 13,900 followers this is the largest giveaway audience I can offer, and prize draws travel further than ordinary posts because people tag each other into them. Set entry to a follow and a tag. Anything that sends people off-platform loses most of them at the second step. Send the prize, the dates and your shipping coverage. A winner you cannot deliver to turns the whole thing into a complaint thread I have to manage.
Three Formats to 13.9k in Ejigbo
Three pieces, run across a few days, in front of the biggest following I have. The Reel travels furthest and reaches people who have never heard of you. The Story frames run live carrying your link, which is where the taps come from. The permanent feed post stays on my grid so there is something to point at once the campaign closes. At this follower count the difference between one placement and three is substantial, because the number of people who see two or more of them is large enough to build recognition rather than a single glance. My page is young Nigerian culture — streetwear, sneakers, audio, drinks, events. Products outside that reach the wrong crowd, and I would rather say so than take the booking. Tell me which piece your campaign actually depends on and I will weight the work accordingly.