Offers from Eduardjr
Jakarta, Late Twenties
Jakarta, late twenties, and the specific problem of having money but no time. That is my audience — people working in the city who want somewhere decent to go on a Saturday and do not want to research it. So a post from me works best for a place or a service rather than an object: a café, a bar, a thing that saves an evening. 1,605 people follow me, which is small, and I write in Indonesian. Send the address, the hours, the rupiah price range and what makes it worth crossing the city for.
Worth Crossing Jakarta For
Worth crossing Jakarta for, or not — that is the only question my followers are asking. This city punishes a bad recommendation. An hour each way in traffic for somewhere mediocre is a Saturday gone, so nobody here acts on a review that sounds enthusiastic about everything. So the reel covers what it is like when you get there: how long the wait was, whether it was worth the journey from wherever you started, and what it costs in rupiah. 1,605 people follow me, which is small, and everything is in Indonesian. Send the address, the hours and the busy times. If the place is only worth it on a weekday, tell me and I will say that rather than sending people on a Saturday.
Carried Through a Jakarta Week
Carried through a Jakarta week, which is a harsher test than most products expect. Heat, traffic, rain that arrives without warning, a bag that goes everywhere. If your thing is a bag, a bottle, headphones, anything somebody carries, a week here tells you more than a studio shoot ever will — and my followers, who do the same commute, know exactly what that week involves. So I use it for the week and then film, rather than filming on day one. If something breaks or stains or gets uncomfortable by Thursday, that goes in. 1,605 people follow me, which is small and worth stating. Send it with two weeks of lead time and the rupiah price.
A Verdict, Not a Tour
A verdict, not a tour — I do not walk people through a place room by room. The reel gives the conclusion in the first few seconds and then justifies it, because that is the order somebody deciding on a Friday night actually needs. If it is not worth going to, I say that, which is why the recommendations get acted on. 1,605 people follow me in Jakarta and everything is in Indonesian. Send the address, the hours, the rupiah range and the one thing you would want somebody to try first.
Explained for Somebody Busy
Explained for somebody busy, which means the whole thing has to work at speed. My followers are late twenties and early thirties with a job. They will not sit through a full demonstration, but they will watch ninety seconds that gets them to the useful part immediately. So I cut the setup and start where the product actually does something, then cover the rest underneath. 1,605 people follow me in Jakarta, everything in Indonesian. Send the product, the instructions and the single thing you most want understood — if you name three things, the tutorial will land none of them properly and I would rather ask now.
Opened on the Way Home
Opened on the way home, which is when parcels actually get opened in this city. Nobody in Jakarta waits until they are somewhere well lit. The box gets torn open in a car, on a train, standing outside the building — and filming it that way tells you something a table-top unboxing cannot: whether the packaging survives being handled by somebody impatient. If it needs scissors and a flat surface, that shows, and for a brand selling online here that is worth knowing. 1,605 people follow me, which is small, and everything is in Indonesian. Send it sealed the way a customer receives it, with the rupiah price and the link — I will open it exactly as it arrived, wherever I happen to be.
Used, Then Filmed
Used, then filmed, in that order — which rules out anything I would have to pretend about. I will not film a product on the day it arrives. My followers have watched me long enough to hear the difference between a considered opinion and a script, so anything I have not actually lived with sounds wrong. Give me a week minimum. If your thing is a café or a service rather than an object, I will go and pay for it first. 1,605 people follow me in Jakarta, late twenties and early thirties, everything in Indonesian. Send it with lead time and whatever price you want quoted.
Jakarta Story Frames for Urban Thirty-Somethings
Late twenties to early thirties, working in Jakarta, and living the version of city life where the commute and the rent are real considerations. That is who reads my Stories. I put your product across a set of frames inside that week — used at the point it would be used, tagged so people can tap through, live for a day. 1,605 people follow me, which is a small and specific group rather than a broad one. Services, apps, food, home things and anything that saves an hour fit well. Send the dates if this is tied to a launch, and tell me what problem you want me to lead on.
The Commute, in Frames
The commute, in frames, which is where most of my Stories get taken anyway. Two hours a day in Jakarta traffic is the reality behind this page, and it is when my followers are on their phones too — stuck, bored, scrolling. A product appearing in that context lands differently from one on a clean desk, because everybody watching is in the same position. It works for anything you use while travelling and poorly for anything needing space. 1,605 people follow me, everything in Indonesian. Send the product, the link and the rupiah price, and I will run the frames across a working week.
Your Brand Through a Jakarta Working Day
The commute, the desk, the thing I eat standing up, the evening that finally slows down. A working day in Jakarta has a rhythm, and a takeover follows it. Your product appears at the moments it would actually be reached for across that arc rather than in one staged frame. For anything used at a specific point in a day — a drink, an app, a supplement, something that saves time — that placement matters more than the total number of frames. 1,605 people follow me, late twenties to early thirties and working. Give me the frame count and the links, and tell me which moment of the day is the right one for your product. I will build the rest around it.
Endorsed Properly on a Jakarta Live
There is a difference between mentioning something and standing behind it, and this is the second one. During a live I give your product a proper endorsement: what it is, why I use it, what it replaced, and who I would tell to buy it. That takes a few minutes rather than a sentence, and it only works if I have actually used the thing, so send it well before the live. My followers are Jakarta urbanites in their late twenties and thirties, 1,605 of them, and they have watched me not recommend plenty of things. That is what gives the recommendation weight when it comes.
Sit Beside Me on a Jakarta Live
You talk, I steer. That is the arrangement. Co-hosting gives your brand a voice of its own rather than filtering everything through mine, which matters when the product is complicated or the person behind it is the reason to buy. I handle the audience, keep it moving, and put the questions my followers would raise. They are working Jakarta adults in their late twenties and thirties, 1,605 of them, and they will ask about price and practicality within the first few minutes. Have those answers ready and send me a running order beforehand.
One Prize, Jakarta-Sized Logistics
One prize with Jakarta-sized logistics behind it, which is the part that goes wrong. A winner in this city might be forty minutes from you or three hours, and a courier quote that looked fine turns into a problem once the address arrives. So I ask for your delivery arrangement before announcing anything and put it in the rules. 1,605 people follow me, late twenties and early thirties, everything in Indonesian. Send the prize, the closing date and how far you can deliver, and say now if the winner has to come to you.
Stories and a Post, Bought Together
One disappears and one does not, which is why I sell them as a pair. The Story frames catch people while your promotion is running: tagged, tappable, gone in a day. The feed post is the residue — permanent, on my grid, still findable months later and something you can point advertising at long after the campaign closes. Most brands book one and then wish they had the other. Together they cover both the moment and the aftermath. I post about Jakarta life for 1,605 followers in their late twenties and thirties. Tell me which half matters more to you and I will put the weight there rather than splitting it evenly.