Offers from cjproducoesart
Comedy From Santa Catarina
I am a comedian, not a visual artist — this listing said otherwise and it was wrong. What I make is comedy about ordinary life in Santa Catarina: the neighbour, the queue, the small absurdity everybody recognises. My followers are adults who come for the joke, which means a brand appearing in one has to survive being funny rather than being featured. That is the real condition here. If your product cannot take a joke, a post from me will not help you — the sponsored ones that work are the ones where the product is inside the bit rather than announced at the end. I write the bit myself and send it to you before filming. 204,000 people follow me on Instagram and everything is in Portuguese, for a Brazilian audience. Send the product, the price in reais and the link. Tell me what cannot be joked about, and I will work around it rather than discovering the limit after the post is up.
The Bit Comes First
The bit comes first and your product goes inside it, which is the only way this works. I write comedy about everyday life in Santa Catarina — the neighbour, the argument, the thing everybody has done and nobody admits. A reel where the joke stops and a product presentation begins is a reel my followers scroll past, and they will tell me so in the comments. So I write the sketch around your product rather than bolting it on. You see the script before I film. If you want specific wording said exactly, that can work, but tell me early, because a line that has to be read word for word changes how the whole thing has to be built. 204,000 people follow me on Instagram, adults across Brazil, everything in Portuguese. Send the product, the price in reais, the link, and the list of things that cannot be joked about.
Not a Designer, Still Funny
Not a designer, still funny — and this listing said design, which was wrong. Somebody reading the handle assumed art. What I actually do is stand in front of a camera in Santa Catarina and turn an ordinary situation into two minutes people send to their family group. So if you came here looking for a designer to produce cultural artwork, I cannot help and I would rather say it now than take the booking. If you came looking for a comedian to put your brand inside a sketch that Brazilians will actually watch, that I can do. 204,000 people follow me on Instagram. The audience is adults, the language is Portuguese, and the humour is regional enough that it does not always translate — worth knowing if your market is outside Brazil. Send the product, the price in reais and anything that must not be joked about, and I will send you the script before I film it.
Tell Me the Idea, I Will Rewrite It
Tell me the idea and I will rewrite it, which is not me being difficult. Brands send me concepts that would work as an advertisement and die as a joke. The structure is different — a joke needs a setup that goes somewhere unexpected, and a brief that says show the product three times removes the place where the surprise would have gone. So send what you want communicated rather than how, and I will build the sketch around it and show you the script first. If the script is wrong we fix it then, which costs nothing. 204,000 people follow me on Instagram, adults across Brazil, everything in Portuguese. Send the product, the price in reais and the one thing that has to land.
A Tutorial That Is Also a Joke
A tutorial that is also a joke, because a straight one from me would be worse than useless. I am not an expert in anything except being the person in the room who says the obvious thing. So a how-to from me works by doing it wrong first — the version where somebody has not read the instructions, which is most people — and then getting there anyway. That format teaches better than a competent demonstration does, because the audience recognises the mistake as their own. It also means the product has to survive looking difficult for thirty seconds before it works. If that is a risk you do not want, book the sketch instead and leave the instructions to your own channels. 204,000 people follow me on Instagram, adults across Brazil, in Portuguese. Send the product, the steps that matter and the ones I am allowed to get wrong on camera.
Opening It Badly, on Purpose
Opening it badly, on purpose, is the version my followers would actually watch. A reverent unboxing — soft music, hands, slow reveal — is a format Brazilians my age find funny for the wrong reasons. So I go the other way: the packaging fought back, the instructions are in a language nobody sent, the thing is smaller than the photograph suggested. All of it affectionate rather than hostile. That works brilliantly for a product with a sense of humour about itself and terribly for one that needs to look expensive. Decide which yours is before booking. 204,000 people follow me on Instagram, adults across Brazil, in Portuguese. Send it sealed exactly as a customer gets it, with the price in reais and a note on where the humour has to stop.
In Shot, Never Introduced
In shot, never introduced — the product is there and nobody mentions it. This is the quieter version of what I do. Rather than building a sketch around your brand, it sits in the scene while the joke happens elsewhere: on the counter, in my hand, part of the room. My followers notice it precisely because nothing draws attention to it. It does a different job from a written sketch — recognition rather than a message. If you have something to explain, this is the wrong format and you should book the sketch instead. 204,000 people follow me on Instagram, adults across Brazil, in Portuguese. Send the product and tell me whether it needs to be visible or merely present.
What Happens After the Sketch
What happens after the sketch is where the Stories go. When a reel does well the comments become their own event — people arguing, quoting it back, tagging somebody. I run frames through that: reading the replies, answering the best one, the bit that got cut. For a brand inside the sketch, those frames extend the thing by a couple of days without me producing anything new. They are also where a link can go, which a reel cannot carry. It only works as a follow-up. Booked on its own, without a sketch to react to, it is just frames of me talking, and I would rather tell you that than sell it as a standalone. 204,000 people follow me on Instagram, adults across Brazil, in Portuguese. Send the link you want carried and whether it should appear on every frame or just the last.
The Small Daily Bit
The small daily bit — a joke told in three frames rather than a produced sketch. I post these most days and they are the reason people open my Stories at all: short, unedited, about whatever happened that morning. Your product can sit inside one, which is a lighter booking than a reel and a faster turnaround. It is also disposable by design, so do not buy it expecting something permanent. 204,000 people follow me on Instagram, adults across Brazil, in Portuguese. Send the product and the link, and I will tell you which morning it went out.
Twelve Hours of Kobrasol
Twelve hours of Kobrasol, which is a neighbourhood rather than a city and that is the joke. A takeover from me is not a curated tour of anywhere impressive. It is the bakery, the argument outside it, the man who parks badly every day, my mother phoning. That is the material — my followers watch because they recognise all of it. Your product runs through the day inside that, appearing where it would appear if I had bought it. Over twelve hours it accumulates rather than announces, which is a different effect from a single sketch and works well for something people would own rather than admire. 204,000 people follow me on Instagram, adults across Brazil, everything in Portuguese. Send the product a week ahead so it is in use before the day starts, the price in reais, and anything the humour should stay away from.
Named Once, Mid-Stream
Named once, mid-stream, without the stream stopping for it. I go live fairly often and it is loose — people talking, me answering, nothing planned. Your brand gets said in the middle of that, which is a lighter thing than a sketch and sounds like a mention from somebody rather than a slot bought in advance. It cannot carry an explanation, so send one sentence at most. 204,000 people follow me on Instagram, adults across Brazil, in Portuguese. Send the name, the link and the sentence you want said, and keep it to one.
An Hour, Unscripted, in Portuguese
An hour, unscripted, in Portuguese — and the unscripted part is the risk you are taking. I do not run a rehearsed live. Whoever you send will be interrupted, contradicted and asked something they were not expecting, because that is what my followers turn up for and a polished appearance would empty the room. If your representative can take that and answer honestly, the hour works better than any sketch, because 204,000 people watching somebody be a good sport is worth more than a joke. If they cannot, send somebody else or book a format where I control the script. Adults across Brazil, everything in Portuguese, so whoever comes needs the language. Tell me in advance what is actually off limits — not a list of preferences, the actual limits — and I will respect those and improvise around everything else.
Culture Was the Wrong Word
Culture was the wrong word on this listing, and it is worth saying why. A Brazilian culture campaign suggests something reverent — heritage, tradition, a respectful film about the region. What I actually make is jokes about a man who parks badly. Both are Brazilian and only one of them is what you would be buying. A permanent post from me is a written bit with a photograph: the observation, the punchline, your product inside it, and it stays on the grid where people find it later. 204,000 people follow me on Instagram, adults across Brazil, in Portuguese. Send the product, the price in reais and the link. If you wanted the reverent version, I would rather point you elsewhere than make it badly.
Not Artistry — Jokes, Several Formats
Not artistry — jokes, in several formats, and that correction matters before you spend on a bundle. This listing said Brazilian artistry. I am a comedian. The bundle is a written sketch, Story frames reacting to it, and a permanent post — all of it humour, none of it artwork. The reason to take all three rather than one is that a sketch peaks in a day and disappears. The frames extend it while the comments are still active, and the post is what somebody finds afterwards. Together they turn one joke into a week of your brand being visible. 204,000 people follow me on Instagram, adults across Brazil, in Portuguese, and the humour is regional enough that it will not carry outside the country. Send the product, the price in reais, the link, and the list of things that must stay untouched.