Offers from Immansion
A Facebook Post From a Lagos Artist
My page follows my music out of the Lekki-Epe corridor, which means the people reading it came for an artist rather than for reviews. That is a different kind of attention and it works for particular things: audio gear, headphones, streetwear, drinks, events, anything sitting near the culture around music. A mattress company would get considerably less from it, and I would rather tell you that before you book. I write the post myself and it stays on the page. Facebook holds a post in circulation longer than Instagram does, and gets it shared into groups, so a launch or an event announcement keeps working for several days. 1,300 people follow the page. Send me what you want said and the date it matters.
A Carousel to a Lagos Music Page
Several images rather than one, which lets a product be shown from more than a single angle without asking anybody to watch a video. I build the carousel for my Facebook page and write the copy myself. Facebook keeps a post circulating for days rather than hours, and carousels get people swiping, which the algorithm treats as interest. My page follows my music out of the Lekki-Epe corridor, so the people reading it came for an artist and are mostly Gen-Z Lagos. Audio gear, headphones, streetwear, drinks and events all belong. 1,300 people follow the page. Send between three and six images and tell me the order you want them in, since the first one decides whether anybody swipes at all.
Filmed With the Music Playing
My own track underneath, which changes how a Reel travels on Facebook. People watch longer when there is something to listen to, and the video gets shared for the sound as much as the content. Your product sits inside that — in the studio, in the car, wherever the video happens to be — rather than being announced. I make Afrobeat and hip-hop out of the Lekki-Epe corridor for a Gen-Z Lagos audience. Audio gear, headphones, streetwear, drinks and events all belong near it. Anything unconnected to music will feel bolted on, and my followers will treat it that way. 1,300 people follow the page. Tell me if you want the track to be something new or something already released.
A Facebook Video From the Lekki-Epe Corridor
Facebook holds a video in circulation for days where Instagram gives it hours, and it gets shared into groups rather than only seen in a feed. That suits anything with a shelf life longer than an afternoon. I film your product into a Reel for my page — captioned, since most of it gets watched with the sound off, and paced for people scrolling slowly rather than fast. My page follows my music out of the Lekki-Epe corridor, so the audience is Gen-Z Lagos and came for an artist. Audio, streetwear, drinks and events sit naturally against that. 1,300 people follow the page. Tell me what the caption should push, because on Facebook the text does as much work as the video.
Shot Around the Studio and the Street
Two settings that belong to what I do: the room where the music gets made, and the roads around the Lekki-Epe corridor where it gets played. Your product moves between them in a Reel for my Facebook page. Not held up and explained, but present while something else is happening — a session, a drive, whatever the day was. My page is music and the culture around it for a Gen-Z Lagos audience. Audio equipment, headphones, streetwear, drinks and event promotion all belong. Anything unrelated will sit awkwardly and my followers will read it as a paid insert. 1,300 people follow the page. Tell me which of the two settings suits your product better.
Gear Tested by Somebody Who Records
I make music rather than reviews, which is exactly what makes a gear verdict from me worth something. Give me a microphone, an interface, headphones, a monitor or software and I will use it on an actual track before saying anything. Then I show what it did — how it sat in a mix, whether the noise floor was a problem, whether I would keep using it after you stopped paying attention. My Facebook page follows my work out of the Lekki-Epe corridor, so the people watching are Gen-Z Lagos with an interest in how music gets made. 1,300 people follow the page. Send documentation and be prepared for me to name what it competes with — this audience already knows the alternatives and a review that avoids them is worthless.
An Afrobeat Artist Opens Your Package
I am a recording artist before I am anything else, and that changes who watches me open a box. My Facebook page follows my music out of the Lekki-Epe corridor — Afrobeat, hip-hop flows, lyrics aimed at Gen Z Lagos. When I unbox something there, it reaches people who came for an artist rather than for reviews, which is a different kind of attention. So anything sitting near music and the culture around it belongs here: audio gear, headphones, streetwear, drinks, phone accessories, event tickets. 1,300 people follow the page. I will open your product on camera, say what I think of it, and tag you.
Facebook Frames From a Music Page
My page is music rather than lifestyle, whatever the old title implied, and that shapes who sees these frames. Facebook Stories reach the part of my audience that checks in briefly rather than settling in to scroll, so I keep them short — one idea per frame, with a link where the format allows it. The people following came for an artist working out of the Lekki-Epe corridor, so audio gear, headphones, streetwear, drinks and event promotion all belong. Anything unconnected to music will sit oddly and get treated as an insert. 1,300 people follow the page — send the dates and the link, and tell me if this is tied to something happening on a specific day.
Facebook Stories on a Drop Day
Timed rather than general. If something releases on a Friday, the frames go up on the Friday rather than whenever suits my schedule. My Facebook page follows my music out of Lagos, so the audience is Gen-Z and already used to release dates mattering. That makes them a natural fit for anything with a launch window — a product drop, an event, a ticket release, a limited run. 1,300 people follow the page. Send the exact date and hour, and tell me what happens if it sells out. I would rather post a follow-up frame saying so than leave people tapping a link that no longer works.
Live on Facebook, Between Tracks
Going live on a Facebook page is slower than Instagram, and the people who show up tend to stay, which helps anything that needs explaining. I play, I talk, and I bring your product into it properly — worn, used, plugged in, drunk, whatever applies. Headphones, interfaces, mics, streetwear and drinks all fit what I do. Anything with no connection to music will stand out as paid, and my page is small enough that people notice. 1,300 follow the page, mostly Gen-Z around the Lekki-Epe corridor. Send whatever you want stated and a date. If you would rather come on and say it yourself, that works too — I will handle the audio and keep the comments moving.
Go Live With a Lagos Recording Artist
My Facebook page fills up when I go live, because people turn up for the music rather than for a post. That is the room you are booking into. I am an artist working out of the Lekki-Epe corridor making Afrobeat and hip-hop for Gen Z Lagos, and a live is where that audience actually talks back. We can run it as a co-host session, a listening moment with your brand attached, or a straight conversation about what you do. Events, audio gear, streetwear, drinks and anything aimed at young Lagos work naturally against music. 1,300 people follow the page. Tell me the format you want and what needs saying, and send it early enough that I can build the live around it.
Tickets, Merch and a Release
A giveaway around a release does two jobs at once — it gives people a reason to hear the track and gives you their attention while they wait for the draw. So the prize should connect to the music if you can manage it: tickets, merch, headphones, a speaker, studio time, a drink brand sponsoring the night. My page is Afrobeat and hip-hop out of the Lekki-Epe corridor and the people following it are young and go out. 1,300 follow the page. I run the announcement, the rules, the reminders and the draw on Facebook, and I keep the entry simple because a complicated one loses the casual entrants who are exactly the people you want reached. Tell me the date the draw has to land on.
A Code My Followers Will Use
A code is the only format on this list where you find out whether any of it worked. Everything else I sell you is exposure and a screenshot of the view count. A discount code comes back to you as redemptions, with my name on it, and you can decide from actual numbers whether to book me again. So I would rather sell you this than a Story if you are unsure about the whole idea. Post on the page, code in the caption, and I repeat it in the comments when people ask, which they will. 1,300 follow the page — young, around the Lekki-Epe corridor, and price-sensitive in the way most people their age are. Make the discount real. A five per cent code on something already expensive will not move them and will make both of us look like we were trying it on. Send the code, the expiry, and what it applies to.
A Release Campaign on One Page
A release is not one post, so this is not one post. It runs as a sequence across the page: something before the date so people know it is coming, the frames on the day itself, a permanent post afterwards that stays up, and I stay in the comments through all of it. Your brand sits inside that campaign rather than beside it. That structure is the reason to buy the bundle instead of picking pieces separately. A single Story on release day competes with everything else going out that day. A build-up means the people who see the last piece have already seen two others. 1,300 follow the page — Gen-Z, around the Lekki-Epe corridor, and they turn up for a drop. Drinks, streetwear, headphones, event sponsors and ticketing all sit naturally in this. Send me your dates first. The whole thing depends on the timing lining up with a release, and if there is no release to build around then a single post is the honest thing to sell you.