Offers from Liia
A Dancer, Not a Fashion Page
A dancer, not a fashion page — the old title said lifestyle and fashion and that is not what I do. What I post is choreography. Contemporary and urban, filmed properly, in Portuguese. That means clothing works on my page only if it moves — a piece that photographs beautifully and restricts a shoulder is going to look bad here in a way it never would on a static feed, and I would rather tell you that than film it badly. 346,000 people follow my TikTok, mostly nineteen to twenty-five across Brazil. Send the piece in my size, the price in reais, and let me test it moving before we agree anything.
It Has to Survive Being Moved In
It has to survive being moved in, which eliminates more products than brands expect. Everything on my page is filmed mid-movement. A shoe that looks good standing still and slides on a turn, a top that rides up, a fabric that creases into nothing after two takes — all of that is visible immediately and my followers will comment on it before you do. So I test the piece in rehearsal before agreeing to film it, and if it fails I will tell you rather than shoot around the problem. What survives that gets something a static shoot cannot give you: proof it works on a body that is actually doing something. 346,000 people follow my TikTok, nineteen to twenty-five, Brazil, in Portuguese.
Choreography You Keep
Choreography you keep, which is a different thing from a video you keep. This is the licensed version: I choreograph something to your brief, film it, and hand over the files with nothing posted on my page. What you get is not just footage — it is a piece of movement built for your product, which you can then re-cut, run as an advertisement, or hand to your own team. It works for anything with a body in it: dancewear, footwear, activewear, audio, a campaign that needs energy rather than explanation. 346,000 people follow my TikTok but this booking is the filming and the choreography, not the audience. Send the brief, the piece in my size, and tell me the length you need and the music rights you hold.
Taught Through the Steps
Taught through the steps, which for anything worn on a moving body is the only tutorial that helps. A demonstration standing still shows what a product looks like. Broken into movement — how the shoe holds through a turn, where the fabric goes when an arm lifts, what the strap does — it shows what the product is like, which is a different question and the one people actually have. I film it slowly enough to follow and in Portuguese. 346,000 people follow my TikTok, nineteen to twenty-five across Brazil. Send the piece in my size and tell me what you want demonstrated, and I will say beforehand if it will not survive the movement.
Said Between Routines
Said between routines, on a live that is mostly me dancing and talking to whoever is there. The room fills and empties constantly on TikTok, so I repeat your name across the session rather than saying it once and hoping. It cannot carry detail — a live between routines is not the place for a specification — so send one line. 346,000 people follow my TikTok but the live audience is whatever the algorithm sends that evening, which I cannot predict. Send the name, the price in reais and the line.
Both Halves in Portuguese
Two screens, one of them in Portuguese, and that has to be both of them. TikTok splits the live between us. If whoever you send speaks only English, my followers will watch for a minute and go — this is a Brazilian audience and the language is not negotiable. I can translate but it kills the pace and a live that stops every sentence is a bad live. What works here is somebody who can talk while I move, because the room expects dancing and a static hour is not what they came for. 346,000 people follow my TikTok, nineteen to twenty-five. Send somebody who speaks Portuguese and tell me what they can actually answer, because I will hand them the questions I cannot.
Danced Against Your Clip
Danced against your clip, which is a format almost nobody uses properly. A Stitch usually means somebody talking over your video. Mine means your footage plays and I respond to it in movement — matched to the rhythm, or deliberately against it, which is funnier and travels further. It works when your original has something to react to: a beat, a claim, a moment. It does not work on a static product shot, and I will tell you that before we start rather than deliver something flat. 346,000 people follow my TikTok, Brazil, in Portuguese. Send the clip and tell me whether you want it matched or contradicted.
Entries From All Over Brazil
Entries from all over Brazil, which is the thing to decide before we start. A giveaway video on TikTok does not stay with my followers. It goes into the feed and reaches people in states I have never been to, so the entry pool is national whether you planned for that or not. If you can only ship within São Paulo, that has to be in the rules from the first second or you will disappoint several thousand people. I say the scope out loud in the video, in Portuguese, because nobody reads a caption. 346,000 people follow my TikTok, nineteen to twenty-five. Send the prize, the shipping scope, the closing date and the wording, and I will confirm the Portuguese with you first.