Offers from Lovrn
A Poem With Your Product in It Is a Bad Poem
A poem with your product in it is a bad poem, and I would rather tell you that now. Verse stops working the moment a brand name has to be fitted into a line. The rhythm goes, the reader feels the sell, and what was a piece somebody might have shared becomes an advert they scroll past. This is the failure mode of every branded poetry brief I have seen. What does work: a poem that belongs to the thing you sell without naming it, published on the page as a poem, with the brand credited around it rather than inside it. A perfume, a book, a jewellery piece, a mental health service — those have subjects a poem can actually hold. I write in English from Tabuk City, in Kalinga, about love, self-discovery and being twenty-something. 489 people follow my Facebook page, which is small and stated plainly. Send the brief and let me write it my way.
Six Cards, One Poem, Read in Order
Six cards, one poem, read in order — which is a format poetry actually suits better than a single image. A carousel makes somebody swipe, and swiping is close to turning a page. A stanza per card means the poem arrives at the pace it was written for rather than all at once in a caption nobody finishes. It also means the last card can carry your name without interrupting anything. So the brand credit goes on the final card, after the poem is done, which is the honest way to do this. I write in English from Tabuk City, in Kalinga, for people between nineteen and twenty-five. 489 people follow my Facebook page, which is small — this is a writing booking rather than a reach one.
Send a Message and I Will Not Rhyme It
Send a message and I will not rhyme it — which is probably not what this listing led you to expect. The title offers to turn a brand message into a poem. That process produces neither one properly: not a poem, because it was written backwards from a sentence somebody in marketing approved, and not a message, because the meaning gets buried under line breaks. What I can do instead is take the feeling underneath your message and write from that. If your product is about being less alone, the poem is about being alone. If it is about starting again, the poem is about the thing that ended. The brand goes in the caption and the credit, where it does not damage anything. 489 people follow my Facebook page from Tabuk City, in English, mostly nineteen to twenty-five. Send me the feeling rather than the copy deck.
A Poem Read Aloud Over Footage
A poem read aloud over footage is a different thing from a poem on a page, and the reel version has to be shorter. Twenty lines works in text and loses people on video at eight. So what gets written for this is tight — a dozen lines, read slowly, over whatever visual fits. Your brand appears at the end rather than inside the verse, for the reason I put on all of these listings. 489 people follow my Facebook page from Tabuk City, in English. Send the subject and give me a week.
Poetry Does Not License Like Footage
Poetry does not license like footage, which is the problem with calling this UGC. Usual UGC is video files you own and can cut. What comes out of this page is writing, and writing is a different thing to buy — you can license the reading, the recording, the use of the words, but a poem cut into six seconds for an advert stops being one. So what I can give you is a recorded reading, mine, of an original piece written for your subject, delivered as a file you can run. Rights agreed in writing before I start. Not stock footage of somebody looking wistful. 489 people follow my Facebook page from Tabuk City, which does not matter for a licensed recording. Send the subject and say where it will run.
Teaching a Poem Is Teaching Attention
Teaching a poem is teaching attention, which is a narrower offer than the title suggests. This listing says brand narrative tutorials. What I can honestly teach is how a poem is built — where a line breaks and why, how a piece earns its last sentence, what makes somebody read something twice. That is craft, not marketing strategy, and I have not run a campaign in my life. For a brand whose audience writes — a stationery company, a journal, a publisher, a writing app — that is a real lesson with your product in the middle of it. For anybody else it is a poetry class with a logo on it, which I would rather warn you about now. 489 followers on my Facebook page in Tabuk City. Send the subject and a week.
A Parcel Does Not Rhyme
A parcel does not rhyme, which is the difficulty with putting an unboxing on a poetry page. Cardboard, tape, a plastic bag inside another plastic bag — none of that is material a poem can use. What can work is the thing inside, if it has any weight to it: a book, a journal, something somebody made by hand, anything with a reason for existing. Then the video is opening it and reading something written about what it is for. If your product is a phone case, there is no poem in it and I would say so rather than write a bad one. 489 people follow my Facebook page from Tabuk City.
A Poem That Only Lasts a Day
A poem that only lasts a day is a strange thing to commission, and worth thinking about first. Everything else on this page stays: posts, carousels, the reel readings. Stories go after twenty-four hours, so what you are paying for is a piece of writing that disappears. Sometimes that is right — a single line for a launch morning, something tied to a date. Usually a post serves you better and costs you the same effort from me. I would rather say that than take the booking quietly. 489 followers on my Facebook page in Tabuk City, in English.
Story Says the Title, Shoutout Says the Type
Story says the title, shoutout says the type, and they are not the same purchase. The title offers brand integration via a Facebook Story. The offer type underneath is a shoutout, which is a mention and a link rather than a designed frame. Worth checking which you wanted before booking. What a shoutout from a poetry page is: your name said in my own words, with a line about why it belongs near what I write. Short, and only worth doing if there is a reason. 489 followers on my Facebook page, which is the whole audience.
Reading Aloud to Whoever Turns Up
Reading aloud to whoever turns up, which on a 489-follower page is a handful of people. A poetry live is not an event. It is somebody reading, slowly, with long pauses, to a room that might be nine people. That is either lovely or a waste of a booking depending on what you expected. What I can do is read something written for your brand out loud, in English, with the reason attached, and leave the recording on my Facebook page afterwards. Send the subject a week ahead and expect a small room.
Reading for an Hour Needs a Second Voice
An hour of reading is a long hour, and it needs planning rather than improvising. A co-hosted storytelling live means somebody from your side has something to say beyond a product description — a founder with a story about why the thing exists, a customer with a reason for using it. I read something written for the subject and we talk around it. Without that second half it is a poetry reading with an advert in the middle, which nobody stays for. 489 followers on my Facebook page in Tabuk City, so expect a very small room and book it for the recording.
Giving Away a Poem Is Awkward
Giving away a poem is awkward, which is worth admitting before this gets booked. A giveaway needs a prize somebody wants badly enough to enter for. Writing does not work like that — a poem written for one winner is a nice gesture and not a prize, and nobody enters a draw to receive a piece of writing about themselves from a stranger. What I can do is make your product the prize and write the announcement as a poem, so it is worth reading whether or not somebody wins. 489 followers on my Facebook page in Tabuk City, so this is a very small draw. Send the prize and where you can ship.
Exclusive Poetry Is Two Problems at Once
Exclusive poetry is two problems at once, and they are worth separating. The first is the usual one: exclusivity is a category ban, agreed in writing with a window and a price, and it does not arrive free inside a listing. Ask for it separately and it can be quoted. The second is stranger. Poetry is already exclusive in the only sense that matters — a piece written for your subject is written once and does not exist anywhere else. Nobody else can be given the same poem, because it was made for this. So the word is either redundant or it means the ban, and those are different purchases. 489 followers on my Facebook page in Tabuk City, in English. Tell me which one you meant and I will price it accordingly.
Several Poems Is More Than You Need
Several poems is more than you need, and I would rather say so than sell the bigger package. A bundle here means a post, a carousel, a reel reading and Story frames — four formats, and if each carries a different poem then none of them lands. Writing does not scale that way. Four separate pieces about one product is four attempts at the same thing, and readers notice. What works better is one piece carried across all four: the full poem in the carousel, a stanza in the post, the reading in the reel, a line in the frames. Same writing, four shapes, one idea people might actually remember. 489 followers on my Facebook page in Tabuk City, in English. Send the subject and give me two weeks to write it properly.