Offers from Bruno
Four Languages, One Post
Four languages, one post, and that is the actual reason to book me. I write in Portuguese, English, German and Italian. For a brand selling into more than one of those markets, the same post can be written properly in each rather than run through a translator and hoped for. The listing calls this a visual content package. It is not — I am a writer, and what I am good at is the words. If you need photography as the main thing, somebody else will serve you better. 1,135 people follow my Instagram from Brazil. That is small, and the reason to book this is the writing rather than the reach. The city on my profile did not import properly, so ask me where I am if the location matters. Send the product, the markets you are targeting and any claim that has to survive translation intact.
Brazil, Written Rather Than Filmed
Brazil, written rather than filmed, which is the honest description of what I do. The listing asks for travel content and I can produce that — but my strength is the writing. A reel from me carries a narration and a caption that were composed rather than improvised, in whichever of my four languages you need: Portuguese, English, German or Italian. For a brand whose product needs explaining across markets, that is worth more than another set of drone shots. For one that needs a spectacular visual, it is not. 1,135 people follow my Instagram, which is small — book this for the language rather than the audience. Send the product, the market and any wording that must appear untouched.
A Reel Is Not My First Language
A reel is not my first language, and I would rather say that than oversell it. What I make is writing. A showcase reel from me will be competently shot and carefully narrated, but the thing worth paying for is the script — the way your product is described, in Portuguese, English, German or Italian. If you already have footage and need it narrated or captioned properly for another market, that is the better booking. 1,135 people follow my Instagram from Brazil, which is a small audience and I am not going to dress it up. Send the product, the language and the market it is going into.
Files for an Ad, Written First
Files for an ad, written first and filmed second. Most UGC is improvised on camera and then subtitled. I work the other way round: the script gets written properly, in Portuguese, English, German or Italian, and then I read it as if I were talking rather than reciting. For a paid ad that difference matters, because a weak line survives a good performance far less well than the reverse. Unbranded, vertical, several takes, yours to run. 1,135 people follow my Instagram from Brazil, which is beside the point for a UGC booking — you are paying for the writing and the delivery. Send the product, the market and the claims your legal team has already approved, because I will not improvise a claim on camera.
Explained, Then Translated
Explained, then translated — in that order, because the reverse produces nonsense. A tutorial that was written in English and then run through a translator into Portuguese usually survives the grammar and loses the sense. The instruction that was clear becomes almost clear, and a customer following it gets stuck at step four. What I do is write the explanation in the target language from the start, in Portuguese, English, German or Italian, and then film it. For a product with setup instructions or an assembly step, that is worth more than a nicer camera. 1,135 people follow my Instagram from Brazil — this is a language booking rather than a reach one. Send the product, the manual, and the step that trips people up.
A Writer Opens Your Product in Brazil
Writing is what I do, so the caption is not an afterthought here — it is arguably the better half of what you are buying. I open your product on camera and then write about it properly, in prose rather than in bullet points, for a Brazilian audience. I work across languages, so if you need the piece to carry beyond Portuguese, say so and I will handle that rather than you commissioning a translation afterwards. 1,000 people follow me, which is small and early. Book this when the words matter: a book, a pen, a course, a service, something whose appeal is hard to photograph and easier to describe.
Silent in Shot, Argued Underneath
Placed in a Brazilian room, with a caption doing the work. A placement means the product is in shot and nobody announces it. On most pages that is where the sell ends. Here the caption underneath is where the argument happens, because writing is what I actually do — and a caption can be delivered in Portuguese, English, German or Italian. So this is worth booking if your product benefits from being explained after it has been seen rather than shouted about while it is on screen. 1,135 people follow my Instagram from Brazil, which is small; you are paying for the words, not the numbers. Send the product, the market, and what you would want somebody to understand by the end of the caption.
Frames With Captions Worth Reading
Frames with captions worth reading, which is an odd thing to sell and the honest description of this. Most Story frames carry three words and a sticker. I write a sentence properly for each one, because that is the skill on offer here — in Portuguese, English, German or Italian. For a product that needs a line of explanation rather than a logo, that is the difference between a frame somebody skips and one they finish. 1,135 people follow my Instagram from Brazil, which is small and stated. Send the product, the language and the single thing the frames should get across.
Sentences, Not Stickers
Sentences, not stickers — that is the difference between these frames and most. A Story frame with a written line on it takes as long to make as a paragraph and most creators do not bother, which is why so many frames say nothing. Writing is what I sell here, in Portuguese, English, German or Italian. 1,135 people follow my Instagram from Brazil, a small number, and this booking is the words rather than the audience. Send the product and the one idea you want carried, and I will find the shortest way to say it.
A Brazilian Day, Written Through
A Brazilian day, written through — the frames are ordinary and the captions are not. A takeover here is a full day of Story frames with your product moving through it, which every creator offers. The difference is that each frame carries a line that was actually composed, in Portuguese, English, German or Italian, rather than a sticker and an emoji. That makes it slower to produce and better to read, and works for a product that needs a sentence of context each time it appears rather than one that explains itself. 1,135 people follow my Instagram from Brazil, which is small and I have said so on every listing. Send the product a few days early, the language, and the thread you want the day to follow.
Named Aloud, in Four Languages
Named aloud, in four languages if the live calls for it. A shoutout during a live is a small thing and I price it as one, but there is a version of it here that is not available elsewhere: the same endorsement said properly in Portuguese, English, German or Italian, depending on who is watching. For a brand with an audience split across markets, that is a use for a live that a single-language creator cannot offer. 1,135 people follow my Instagram from Brazil, which is small. Send the name, the pronunciation and one line per language.
A Launch Needs More Than This
A launch needs more than this, and I would rather say it before you book. The listing offers a co-hosted live for a product launch in Brazil. 1,135 people follow my Instagram. A live at that size will have a few dozen watching at best, which is not a launch by any definition a marketing team would accept. If a launch is what you are planning, put the budget into a larger creator or into paid media, and let this be something else. What it can honestly be: a recorded half hour where your representative is asked proper questions in Portuguese, English, German or Italian, and the recording is yours afterwards. For a brand entering a market where nobody knows the product yet, a clear explanation on file has some use. Send somebody who can answer without a script, the language, and the questions you expect to be difficult.
A Draw at a Thousand
A draw at a thousand followers produces entries you could count by hand, and I would rather write that than dress it up. What it does produce is one person in Brazil holding your product and a comment thread in whichever language the post was written in — Portuguese, English, German or Italian. For a brand testing which of those markets responds at all, that thread is arguably the useful output rather than the draw itself. Send the prize, where you can post it, and the closing date you want honoured.
A Writer's Bundle, Not a Lifestyle One
Everything in this bundle is written first. The listing calls this a Brazil lifestyle bundle. There is no lifestyle page here — there is a writer, and the bundle is a reel with a composed script, Story frames carrying actual sentences, and a permanent post written as a piece rather than a caption. The reason to buy all three is that the writing carries across them. One voice, one argument I develop across a week, in Portuguese, English, German or Italian rather than translated into it. 1,135 people follow my Instagram from Brazil, which is a small audience and always stated. This is a writing commission that happens to be published on a social account. Send the product, the markets and the one thing you want understood by the end of the week.