Offers from George
Makeup From Davao del Sur
Makeup from Davao del Sur, which is a long way from where beauty content usually gets made in this country. Everything here is Manila or Cebu. My page is Mindanao, and my followers buy from what is actually stocked in the south rather than what a Manila creator can walk into a mall and find. If your product is not distributed here, that is the first comment I will get. A permanent post from me is a full look with the products named and an honest word on each — I do transformative makeup as well as everyday, so tell me which register you want. 26,200 people follow my Instagram, in English. Send the product, the shade range, the peso price and your southern stockists.
Travel Was Wrong — This Is Makeup
Travel was wrong on this listing — what I do is makeup. Whoever titled it Philippine travel content had the wrong creator entirely. My page is transformation: colour, technique, a face at the start and a different one at the end, with everything named as I go. That is a category with its own rules and travel is not one of them. A reel from me is a look built on camera in English, and if a product does not blend, sets badly or oxidises by the third hour I say it — my followers watch specifically for that. 26,200 people follow my Instagram, Gen Z, mostly Mindanao. Send the product with the shade range, the peso price and where it is stocked in the south.
Sixty-Four Thousand, on Facebook
Sixty-four thousand on Facebook, which is more than double my Instagram and surprises most brands. The assumption is that beauty lives on Instagram. In Mindanao a very large share of the audience — including people who buy — are on Facebook, and my page there is the bigger one by a distance. Brands keep booking the smaller account because it is the platform they are used to. I post to 64,000 people in the south, in English, with the products named and priced. It also gets comments rather than likes, which is where the questions about shade matching and stockists actually get answered. Send the product, the shade range, the peso price and your Mindanao distribution.
Bold on Camera, Wearable Off It
Bold on camera, wearable off it — my page runs both and you should pick before booking. Half my content is transformative: colour, graphic liner, something nobody wears to work. The other half is the everyday version people actually recreate. Both perform and they perform with different parts of the audience. A bold look travels further and gets saved. An everyday look sells more product, because somebody can imagine doing it before breakfast. If you want the second, say so, because I will default to the first and my followers expect that from me. 26,200 people follow my Instagram and 64,000 follow my Facebook page, Gen Z, mostly in the south, in English. Send the product, the shade range and the peso price, and tell me which of the two looks you are paying for.
Swipe Through the Whole Look
Swipe through the whole look rather than watch it, which suits the way people use Facebook. A carousel lets somebody stop on the step they care about. Not everybody wants the full video; a lot of my followers want the finished face, the products laid out, and the one card that shows the before. They swipe, they screenshot the product card, they come back. On a page of 64,000 in the south, that screenshot is what travels into a group chat. Send the products, the shade names, the peso prices and your Mindanao stockists, and I will build a card for each.
Hands and Faces, Files to You
Hands and faces, filed to you, with nothing posted on my page. Beauty UGC is mostly badly shot. The lighting is wrong, the application is sped up so nobody can see the technique, and the skin in frame does not look like anybody's. What I hand over is application filmed properly by somebody who does this — close on the hands, the product on real skin, several angles and several takes. Filipino skin tones, southern Philippines, English or silent. 26,200 people follow my Instagram but this booking is the filming rather than the audience. Send the product with the shade range and any wording that has to be exact, and tell me whether you want a beginner or an expert pair of hands, because they look different on camera.
The Bigger Page, Moving
The bigger page, moving — a reel on Facebook rather than the Instagram one brands default to. My Facebook page is 64,000 and my Instagram is 26,200. Video performs on both, but the Facebook audience skews older and buys differently: they watch the whole thing, they ask where to get it, and they tag somebody rather than saving it silently. So a reel there is worth booking on its own rather than as a repost of the Instagram one, and I cut it differently — slower, with the product named earlier, because that audience will not wait for a reveal. Send the product, the shade range, the peso price and your southern stockists, and tell me if you want it on both pages or only this one.
Sixty-Four Thousand, in Motion
Sixty-four thousand, in motion, and cut for the people who are actually there. A Facebook reel from me is not the Instagram edit reposted. The audience is older, watches longer and wants the product named early rather than teased, so the pacing and the structure are different from the start. If you book both, they are two separate cuts rather than one file uploaded twice, and I would rather explain that now than have you assume otherwise. 64,000 people follow my Facebook page in the southern Philippines, in English. Send the product, the shade range, the peso price and where it is stocked here.
Dance Was Wrong — This Is a Face
Dance was wrong — this is a face, and somebody has mixed up two very different creators. The listing said dance tutorial. I do makeup. There is no version of my page where I teach choreography, and a brand booking this expecting movement content would receive a contour tutorial. What a tutorial from me actually does is break a technique into steps somebody can repeat: how much product, which brush, where the light falls, what to do if it goes patchy. That is the format that converts on a beauty page, because somebody who can recreate a look buys the product used in it. 26,200 people follow my Instagram and 64,000 my Facebook page, in English, mostly Mindanao. Send the product, the shade range and the peso price, and tell me the technique you want taught rather than the look you want shown.
Not Family — a Face, Filmed for You
Not family content — a face, filmed for you to run wherever you like. The old title said family UGC. My page is makeup for Gen Z, which is a different audience with different lighting and a different pace. A brand booking this expecting a household scene would receive a close-up of somebody blending concealer. What I actually deliver is application footage: hands, product, skin, several angles, unbranded, nothing posted on my page. Cut for Facebook if you want it there, which is slower and plainer than an Instagram edit. 64,000 people follow my Facebook page in the southern Philippines. Send the product with the shade range and tell me whether you need talking or silent takes.
Not Streetwear — Cosmetics, Opened
Not streetwear — cosmetics, opened on camera, and somebody has confused two listings. The old title said streetwear unboxing. I open makeup. That means the things worth showing are different: how much product is in a palette against the size of the box, whether the pump on a foundation works, whether shades survive being photographed. A hype-beast unboxing has none of those beats. 26,200 people follow my Instagram, Gen Z, mostly Mindanao, in English. Send it sealed as a customer receives it, with the full shade range and the peso price, and I will swatch everything rather than just showing the packaging.
It Sits on the Vanity
It sits on the vanity rather than being held to the lens. Placement on a beauty page is different from placement anywhere else, because the products in shot are a statement about what I actually use. My followers scan the table behind me — they screenshot it, they ask what the thing on the left is. That happens without me pointing at anything. So your product goes into the working setup and gets used in passing rather than announced. If you need the name said and the shade stated, that is the tutorial or the reel instead, and I would rather you booked the right one. 26,200 people follow my Instagram, in English. Send the product and the shade range.
Taught Slowly, for Facebook
Taught slowly, for Facebook, which needs a different pace from the Instagram version. The audience on my Facebook page is older and watching properly rather than skimming. That means a tutorial there can breathe — I can show the step twice, explain why the brush angle matters, and nobody swipes away because it took forty seconds. On Instagram the same content has to be compressed and loses the teaching. So if your product needs explaining rather than displaying, the Facebook version is the better booking. 64,000 people follow that page in the southern Philippines, in English. Send the product with the shade range, the peso price and the technique you want taught.
Frames Between the Looks
Frames between the looks, which is where most of my Story questions come from. People do not ask about the finished face — they ask what the thing on the left is, why I used a sponge there, whether that primer is worth it. So the frames are the working parts: products on the table, a swatch on the back of my hand, the step before the good photograph. 26,200 people follow my Instagram, in English, mostly Mindanao. Send the product with the shade range and the peso price, and I will swatch it on camera.
Opened for the Bigger Page
Opened for the bigger page, which changes how the video is built. My Facebook audience is older and less interested in a reveal than in the contents. They want to know how much is in it, what the shades look like on skin, and whether the price makes sense — so I skip the packaging theatre and get to the swatches quickly. On Instagram I would build the tension. Here it would lose people. 64,000 people follow my Facebook page in the southern Philippines, in English. Send it sealed as a customer receives it, with the shade range, the peso price and your local stockists.
Transformation Frames to 26k in Davao
Before and after is the whole engine of my page. People stay for the change, not for the product sitting still. So I build your product into a transformation across a set of Story frames: the starting point, the application, the result, with your tag on every one. For colour cosmetics, hair, skin treatments and tools that structure does more than any description could, because the outcome is visible rather than claimed. 26,200 people follow me from Davao del Sur, which is one of the larger audiences here. If the result is dramatic, this format shows it. If your product is subtle, tell me now and I will frame it as refinement rather than transformation, otherwise the video will undersell it.
Quick Frames, Big Page
Quick frames on the big page, which is where my numbers actually are. My Facebook page is 64,000 and my Instagram is 26,200, so a Story set there reaches more than double the people for the same work — brands rarely ask for it because they assume beauty lives on Instagram. What goes in the frames is the working stuff: a swatch, a product on the table, the thing I am reaching for. In English, southern Philippines. Send the product with the shade range and where it is stocked down here.
Morning Face to Midnight Removal
Morning face to midnight removal, which is the only way to show a product properly. A takeover lets me run the whole cycle: application at eight, how it looks at two, whether it has moved by six, and what comes off at the end. That last part matters more than anybody admits — a foundation that will not remove cleanly is a foundation people stop buying. In Philippine humidity most of that is unflattering and I keep it in, which is the risk of booking me and the reason my followers watch. 26,200 people follow my Instagram, Gen Z, mostly Mindanao, in English. Send the product with the shade range, the peso price and the removal method you recommend, because I will use that one.
Between Posts on the Big Page
Between posts on the big page, which is where the questions get asked. My Facebook Stories are not a broadcast slot. They are where somebody replies directly — the message thread from a Story is the most active part of that page, and the questions are specific: what shade did you use, does it work on oily skin, where do I get it in Davao. So a product in those frames gets interrogated rather than admired, which is better for you if the answers are good. 64,000 people follow that page in the southern Philippines, in English. Send the product, the shade range, the peso price and your local stockists, and I will answer the replies myself.
Sixty-Four Thousand, Answering Live
Sixty-four thousand, answering live, which is the largest room I can put a brand in. My Facebook page is more than double my Instagram and the lives there fill with typed questions rather than emoji. People ask about shade matching for morena skin, whether something works in humidity, where to buy it in Mindanao. That is a useful hour if you can answer those, and a difficult one if you cannot. I can speak to how a product performed on me and nothing about your supply chain, so send somebody who can handle the second half. In English, southern Philippines, Gen Z upward. Send the product beforehand so I have used it properly, the shade range, the peso price and your stockists here, and tell me what you would rather I did not raise.
Mentioned Mid-Application
Mentioned mid-application, which is when people are actually paying attention. My Instagram lives are usually me doing a face and talking, so a product named while it is going on somebody's skin lands differently from a product named at the top of an hour. 26,200 people follow my Instagram, Gen Z, mostly Mindanao, in English. Send the product beforehand so I have used it, the shade range and the peso price, and I will say what it did rather than what the box says, because my followers will check it against their own skin.
The Big Page Needs Two of Us
The big page needs two of us, because the questions there outrun what I know. 64,000 people on Facebook typing at once produces a specific kind of pressure. They ask about stock in provincial branches, whether a shade suits morena skin, what the return policy is if a foundation oxidises. I can answer the middle one from experience and neither of the others. So send somebody who handles distribution or customer service and I will run the beauty half. That split makes the hour worth attending. In English, southern Philippines. Tell me in advance what is not public yet, because somebody in that room will ask about it directly.
The Room Asks About Shade
The room asks about shade before anything else, every single time. My Instagram lives fill with the same question in different forms: will this work on morena skin, is the lightest shade too light, does the undertone go yellow. Filipino skin covers a wide range and most brands stock four shades of it. So if your range is narrow, that will come up and I will answer honestly. If it is broad, this is an hour where that becomes obvious to a few hundred people who have been looking for exactly that. 26,200 people follow my Instagram, Gen Z, mostly Mindanao, in English. Send the product with the full shade list and the peso price, and tell me which shade you think matches me.
Sixty-Four Thousand Entering
Sixty-four thousand entering, which is a different logistical problem from a small draw. A giveaway on my Facebook page produces real volume, and volume brings its own difficulties: entries from provinces you may not ship to, duplicate accounts, and a comment thread that needs managing for several days. So I handle it properly. Rules written so the scope is unambiguous, coverage stated in the post rather than the small print, duplicates checked, and the winner drawn publicly with the account verified before anything is sent. The thing to decide first is where you can actually deliver. If it is Mindanao only, say so and I will scope the entry that way — it will reduce the numbers and it will avoid disappointing several thousand people in Luzon. Send the prize, the coverage, the peso value and the closing date.
The Smaller Page, Better Entries
The smaller page, better entries — which sounds like an excuse and is not. My Instagram is 26,200 against 64,000 on Facebook, so a draw here produces fewer entries. What it also produces is a different kind of entrant: Instagram is where the people who follow beauty specifically are, rather than the broader page. For a cosmetics brand that matters. An entry from somebody who follows makeup content is worth more than three from a general audience, because they know what they are entering for and they will still be there afterwards. So book the Facebook one for volume and this one for relevance. Gen Z, mostly Mindanao, in English. Send the prize, the shade range if it applies, the peso value and whether you can post outside the region, and I will draw it publicly.
Everything Instagram Can Do
Everything Instagram can do, kept on the smaller of my two pages on purpose. Story frames, a reel and a permanent post — 26,200 followers rather than the 64,000 on Facebook, and that is the right choice for a cosmetics brand even though the number is lower. Instagram is where people who follow beauty specifically are. The Facebook page is bigger and broader; this one is narrower and knows what a shade name means. A three-format run here reaches fewer people who care more, and the formats compound: the frames get the swatch questions, the reel shows the wear, the post is what somebody finds when they search the product. Gen Z, mostly Mindanao, in English. Send the product with a fortnight of lead time, the full shade range, the peso price and your southern stockists, and tell me which format you want the effort weighted toward, because I will otherwise spread it evenly.
A Code on the Bigger Page
A code on the bigger page, where it will actually get used. Facebook is where my numbers are — 64,000 against 26,200 on Instagram — and it is also where a discount code behaves best, because people screenshot the image and send it to somebody rather than saving it privately. So the code goes on the picture, legibly, with the expiry beside it. In English, southern Philippines. Send the code, what it applies to, the expiry and the minimum spend if there is one, and I will answer the terms questions underneath rather than leaving them.
Everything the Big Page Has
Everything the big page has, which is the largest thing I can sell you. Story frames, a reel and a permanent post, all on the Facebook page rather than split across my accounts. 64,000 people in the southern Philippines, in English, older and broader than my Instagram. The argument for keeping it on one page is that Facebook rewards return visits. Somebody sees the frames, comes back for the reel, finds the post when they search the product name, and asks a question underneath that I answer myself. That loop is the whole value and it does not survive being split. Where this is the wrong choice: if your product is narrowly cosmetic and needs a shade-literate audience, my Instagram bundle is smaller and better suited. Send the product with a fortnight of lead time, the shade range, the peso price and your Mindanao stockists.
Beauty on the Middle Account
Beauty on the middle account, and there are three of them. This offer runs on TikTok, where 31,700 people follow me. My Facebook page has 64,000 and my Instagram 28,033. So if platform matters to your campaign, the TikTok listing is neither the biggest nor the smallest, and worth choosing deliberately rather than by accident. The content is the same across all three: makeup, skincare, transformations, in English, from Davao del Sur. I apply your product on camera and give a verdict at the end. Send the product, the shade range and a month, and tell me if you would rather have the Facebook audience instead.
Dance, on a Beauty Page Again
Dance, on a beauty page again — and this is a different profile from the last one. There is another creator on this platform whose listings said dance seven times when the page was makeup. Mine now says it once. The pattern is presumably the same: something generated a description without reading the profile. What I do is beauty. Transformative makeup, skincare, tutorials in English, from Davao del Sur, to 31,700 on TikTok — with a larger Facebook page and an Instagram alongside it. Nothing has ever been choreography. A brand integration here means your product inside a look being built: applied on camera, the technique visible, a verdict at the end. If you wanted dance, this platform has creators who actually do it and one of them would serve you better. Send the product, the shades you make and a month of lead time.
The Third Wrong Word
Lifestyle, or the third wrong word on this profile. One listing said dance, one said a Philippines market video, this one says Filipino lifestyle UGC. None of the three says beauty, which is what the page is and has always been. For a UGC booking the niche matters more than usual, because you are buying footage that has to look like somebody who knows what they are doing. Makeup applied by a person who applies makeup daily looks different from makeup applied by a person hired to hold it. That difference is the entire reason to pay for footage rather than to shoot it yourself. I shoot unbranded vertical takes, several of them, in English, from Davao del Sur. Send the product, the shade range and the claims your side has cleared, and say which of my three accounts you looked at, because the numbers differ a lot.
One Look, Broken Down
One look, broken down at the pace somebody copying can follow. A transformation clip is entertainment. I teach it properly instead: the base first, the order, the amount, the step where people rush and ruin it. That takes longer and gets rewatched, which for a cosmetic is worth more than a single view. In English, from Davao del Sur, to 31,700 on TikTok — though the Facebook page is larger if reach is what you are after. Send the product, the shade range and a month, and say which look you want taught.
Choreography, Second Time
Choreography, second time — and it is worth naming what is happening here. One listing under my name said a dance video. This one says a live brand mention with choreography. Neither describes anything I have ever posted. The page is beauty and has been since it started. There is another Filipino beauty creator on this platform whose listings said dance seven times. Two unrelated profiles, the same wrong word, which suggests something reached for it whenever a Filipino creator's category did not parse. Worth knowing if you are browsing this marketplace rather than only reading one listing. A live from me is makeup applied while people ask questions, in English, to 31,700 on TikTok. Your brand named mid-application with a reason attached. Send the product a month early so I have used it, and two evening slots.
TikTok Live to 31.7k Beauty Followers
My TikTok is bigger than my Instagram — 31,700 against 26,200 — and the live format there is faster and more interrogative. People type questions instead of watching politely. I co-host with you, working through your product while the chat asks about shades, wear time and whether it holds in Philippine heat. Because my page is built on transformation content, viewers expect to see a visible result rather than a description. I post from Davao del Sur to a Gen-Z beauty audience. Bring somebody who can answer formulation questions, and send the shade range in advance so I can match properly on camera. Getting that wrong in front of thirty thousand people helps neither of us.
Stitching a Makeup Video
Stitching a makeup video means answering something already going around. Beauty TikTok always has a technique circulating that does not work, a product being praised that should not be, or a hack that ruins skin. I reply to one of those, and it travels because people watch both halves and pick a side. It needs the clip to exist first. If nothing about your product is being discussed, there is nothing to answer and an original video is the better booking. If something is being said that is wrong, that is the strongest use of this format. 31,700 people follow my TikTok from Davao del Sur, in English. Send the link and say whether you want it corrected or backed up.
A Cosmetic Draw, Davao
A cosmetic draw, Davao, and the prize should match the page. People here follow makeup. A giveaway of something unrelated gets entries from people who enter everything, which produces a winner who did not want the thing and a comment section full of nobody. A lipstick, a palette, a skincare set — those get entries from people who will use it and post about it afterwards. I announce it inside a video people were watching anyway, say the rules out loud because captions get skipped, draw publicly and check the winner. 31,700 people follow my TikTok from Davao del Sur, in English, though the Facebook page is larger. Send the prize, the shade range and how far you can ship.